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In Hunter, her first full-length solo, the choreographer Meg Stuart explores her own body as an archive populated with personal and cultural memories, ancestors and artistic heroes, fantasies and...
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The people you love most are the ones who can hurt you most. It was on this knowledge that Tracy Letts based a tragi-comic family drama...
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What is going on in Europe? What times are we living in? In The Civil Wars, Milo Rau stages a four-voice lecture-performance about the premises of insurrection and political engagement....
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Horror is a homage to the horror genre: a compelling, thrilling and visual theatre spectacular with special effects one does not often see in a theatre but are in line with the series of...
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What does a body do when it laughs? Voetvolk explores the forms assumed by the laughing body and makes their physical and psychological impact tangible. Maarten Van Cauwenberghe has once again...
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What would it mean for choreography to perform as an exhibition? This question was the point of departure for Work/Travail/Arbeid. In response, Anne Teresa De Keersmaeker reimagined her piece Vortex...
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With incisiveness and ingenuity, Father examines the moments when an old man’s memories (or are they imaginings, hallucinations?) start constantly turning the realities of everyday life into fantasy...
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Using words like bullets, Robbrecht throws himself uninhibitedly into the struggle, with no illusion that we shall ever be able to manage without war. He draws inspiration from an army of...
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The LOVER is a unique encounter between the highly individual movement idiom of Bára Sigfúsdóttir and the surreal photography of Noémie Goudal. They are underpinned by Borko’s captivating...
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Enter the extraordinary world of Robbert&Frank/Frank&Robbert. Everything starts with a landscape. Lifeless objects lie scattered here and there. Until everything is given colour and the...
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On the stage stand four children, two adolescents, three dancers, a 92-year-old man and a musician. The interaction between the different ages makes for new movements. We find it logical that...